| Style
No. |
Style
Name |
|
| 101 |
N/A |
Shown
in cherry & maple-5/16x12 x12. |
| 106&110 |
N/A |
Shown
in white oak with walnut. Room scene is quartersawn white oak & walnut |
| 109 |
N/A |
Shown
in quartersawn red oak-5/16x12x12. Sample is 4 sections |
| 116 |
N/A |
Shown
in cherry & walnut-5/16x12x12. |
| 118 |
Standard
Pattern |
Shown
in red oak-5/16x12x12. Each of the 4 fingers is 1 1/2x6 |
| 132 |
Herringbone |
Shown
in cherry-5/16x12x2 fingers. |
| 145 |
Marseille
(Copyright 1984 Randy Yost) |
B-Top
in quartersawn white oak, bottom in Ipe. Pattern repeat is approx. 32
inches. The most unique aspect of the Marseille pattern is that there are no obvious
square grids in it's design. The pattern actually weaves over &
under, both square with the room & diagonally. The Marseille pattern creates
a very European feeling without dividing the room into large squares, yet
retains the feeling of a large scale parquetry. Since this pattern is more of an
overall texture, it allows more attention to be focused on room furnishings. |
| 150 |
Oxford
(Copyright 1977 Randy Yost) |
A & B shown in mahogany, maple, walnut, & cherry. Pattern is 31 1/2x31
1/2. The Oxford pattern reaches a
pinnacle of formality. Inspired by stained glass, it exudes a majestic feeling with it's rich and complex elegance. Although large in scale,
it has a delicate, crystalline quality that bespeaks generations of thought in
the development of it's design. With as much impact as this pattern
achieves, it still works surprisingly well with dramatic furnishings. When fashioned of Santos
mahogany, Oxford is
especially brilliant. The extraordinary hardness of this wood (75% harder than
oak) and it's iridescent properties make it a dazzling yet practical background for high
traffic areas. Oxford is more subdued when crafted in oak. When dark flooring
is desired, walnut portrays a subtle elegance. |
| 151 |
Marie
Antoinette |
Shown
in quartersawn walnut-5/16x30x30 |
| 152 |
Chateau |
Shown
in plainsawn red oak-5/16x28x28 |
| 153 |
Fontainebleau |
Shown
in plainsawn red oak-5/16x24x24. Room scene is quartersawn red oak |
| 154 |
Louvre |
Shown
in quartersawn white oak-5/16x23x23 |
| 156 |
Bordeaux |
Shown
in Santos mahogany-5/16x36x36 |
| 159 |
Canterbury |
Shown
in plainsawn red oak-5/16x19x19. Works best in medium to large rooms |
| 160 |
Sutton
Place
(Design ©Copyright 1985 Randy Yost) |
A in
Brazilian cherry & Ipe. Pattern is 21 1/2x21 1/2. A bold dramatic expression
consisting of three wood species of contrasting tones, combines to create a
three dimensional shadowbox effect. The illustration shows medium tone wood in
the center, If the darkest of the three woods is in the center, the effect is a darker
looking floor with light diagonal grids. The greater the contrast in the three
woods, the more dominant the floor, dictating more conservative furnishings. If subtle
contrasting woods are used, furnishings can play a more dominant role in the
room. |
| 161 |
Rhombus |
Shown
in plainsawn red oak-5/16x4 1/2 inch cubes |
| 165 |
Santiago |
A in
maple, wenge, & mahogany in a white oak background. Pattern is 12x12.
New for '99, wood in this pattern was inspired by an ancient Mexican tile
design. inch. |
| 180 |
Stockholm
(Design ©Copyright 1982 Randy Yost) |
A &
B in walnut. Pattern is 30x30. A bold pattern with
a quiet demeanor. The diagonal divisions crate a clearly defined, dominant grid
which repeats across the room. As large as this pattern is, it functions
effectively in surprisingly small spaces (rooms as small as 270 square feet),
perhaps due to it's overall repetitive quality and the consistency of the width
of the components. |
| N/A |
St.
Moritz
(Design ©Copyright Randy Yost) |
The distinctive pattern of
strong accented diagonals makes this floor the focal point of attention.
Suitable for small to medium spaces or larger rooms with rugs covering a high
percentage of the floor. Care must be taken not to compete with the strong
visual impact of the floor when choosing patterns in rugs or fabrics. A
stunning and very rich version of this pattern can be fashioned with walnut
diagonals (darkest tones), cherry field (medium tones), and maple accents
(lightest tones). |
| Pickets |
|
Double-mitered
pickets available for placement between grids |
| Randy
Yost |
|
Randy Yost is an internationally recognized, award winning
designer . He has created the copyrighted flooring designs
for those who want only the very best. For the last 30 years, Mr. Yost's work
has appeared in private clubs from Texas to St. Andrews, Scotland. His designs
can be found in corporate headquarters around the world including Kodak
and the Southland Corporation in the United States.
Mr. Yost is best known for his flooring designs in prominent residences
world wide, including homes in San Francisco, Carmel, Aspen, New York City,
Sydney, Tokyo, Hong Kong, London, and Amsterdam.
Historic Floors of Oshkosh has produced Mr. Yost's designs for
projects including Caesar's Palace in Las Vegas, The Houstonian Hotel and the
Texas Commerce Bank.
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